![]() But in that same respect, it feels real, cosy and starkly personal, just like the setting it was written in. This is however also the album’s Achilles’ heel with its scattershot moods, the structure of the record feels a little clumsy at times, never letting you truly settle in. Album Review: Earl Sweatshirt & The Alchemist Voir Dire Album Reviews Recommended Second Look Live Reviews Book Reviews Features. On Heaven, guitar riffs sweep and swoon in a manner not unlike early Beach House, the song summoning a sense of yearning reminiscent of anyone’s coming-of-age experience. ![]() Here, Vu’s otherwise-subdued contralto grows in intensity, blurring the lines between a murmur and an urgent cry. Opener April Fool is a balmy, piano-led number that delicately traces the process of moving on, before Vu plunges into the rich, whining rhythm section of the title track. Accordingly, the record links between understated, downtempo moments with fluttering percussion and anthemic pop motifs carried by crashing choruses of guitars. ![]() However, unlike the transience of its namesake, Public Storage feels like a pointed documentation of Vu’s recent years, exploring the lows, the highs and the nondescript scenes among them: “ I’m waiting for something/ Anything striking/ I could just fall asleep,” she sighs on Anything Striking. Across 12 songs, she unpacks emotional baggage and memories, transferring them from her Los Angeles bedroom to the world. As many can attest, three years carries a lot of change. On her new full-length album, the 21-year-old draws inspiration from these concrete units that have been home to her possessions time and time again. Hana Vu is simply bursting with talent at such a young age, having released her stunning debut EP in 2018 at only 17 years old. With her squeamish album art, references to school shootings (“April Fool”), and nods to the West LA fires (“Heaven”), she demonstrates that she’s acutely aware of pop music’s thematic blind spots-and she’s here to shine a light.Growing up with parents who moved house frequently, Hana Vu has made use of a lot of public storage spaces. Vu offers an unvarnished addition to this spit-shined canon-it’s made to look picture-perfect, but her relentless urgency reveals flaws underneath. The heart of Vu’s appeal is her deference to a bygone pop-music landscape still fresh in our memories-the tizzy over Lana Del Rey, the fixation on Lorde, the rise and fall of Avril Lavigne. Her new single Everybody’s Birthday is the follow-up to. “My House” is a spiritual sequel to Diana Ross’s 1979 hit “Itʼs My House,” transplanting the narrative from an opulent mansion to a dirty “hole in the wall.” The album reaches its peak powers when Vu navigates the contrast between her concise, pithy lyrics and lush arrangements-“Everybody’s Birthday” juxtaposes chipper cowbell and gold-plated shame, for instance, while “Maker” pairs thrumming banjo with flagrant desperation. This type of circular rumination defines the album as much as do knotty textures, which edge toward disco-rock on 'Aubade,' orchestral fuzz on 'Heaven,' and bass-heavy synth pop on 'Keeper' - and thats just the front half of the track list. Los Angeles-based solo artist Hana Vu has announced her debut album for Ghostly International, Public Storage, coming Nov. “World’s Worst” is a brazen cross section of existential dread, despite its light drum cadence and jaunty flute: Vu declares herself the world’s worst color, talker, lover, and winner. The record’s disarming frankness needles at Gen Z’s agonies and anxieties. While the album’s roots stretch back many years, Vu typically spent only a day or two writing and recording each of its 12 tracks. Nicole Kidman / Anne Hathaway by hana vu, released 25 October 2019 1. But on Public Storage, released by Ghostly International in November, Vu shifts the spotlight from red carpets to plagued psyches. At 21 years old, Vu has already become a local electro-pop fixture with an impressive list of career triumphs: she’s opened for Soccer Mommy and Wet, collaborated with Willow Smith on her 2018 single “Shallow,” and released a concept EP focused on two Hollywood A-listers, 2019’s Nicole Kidman / Anne Hathaway. On her debut album, Public Storage, Los Angeles guitarist and songwriter Hana Vu finds inspiration there, drawing on memories of the storage units her family used during their frequent moves and her subsequent feelings of displacement. ![]() Her debut LP Public Storage employs the same downtrodden, sepia-toned atmospherics of the type of identikit facilities its title describes: flickering tubular lights, cold concrete surfaces, damp air, leaking drainage pipes, the smell of dust, plaster, rust, and decaying fabrics. ![]() Storage units, with their heavy padlocked doors and stockpiles of intimate possessions, are ripe for metaphors about emotional compartmentalization. At just 21 years of age, Los Angeles-based songwriter Hana Vu is already a commanding presence in her songs. Best of Chicago 2022: Sports & Recreation. ![]()
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